This time it took in the structure.
On this postcard published by the Centre Pompidou (ie an image "official"), Beatrice Hatala structure recognizable photograph and place the escalator into the background in his area as ultimately a factor among others.
Yet again, it is obviously difficult to understand its role and function for a corresponding receiving this postcard and never set foot at the Centre Pompidou .
This is the composition of a landscape architectural framing is quite classic, but somewhat overwhelmed by the peculiarities of the place itself so as finally to an original photograph of this place was enough to photograph, the object producing the image alone.
Once again the blue sky stretching dominates the white paint of the Centre.
It seems possible that from this point of view, Béatrice Hatala have wanted to tell us the transparency of this structure and its ability to open the Parisian landscape permanently visible in the hollows of the image.
Note also rare today the opening of the exhibition space at extreme right of the image that extends the length and gives a feeling of space even more pronounced.
The image is also empty of visitors, which makes it difficult to understand the scale.
Again it is a beautiful image and a beautiful document highlighting the constructive system of great beauty.
I will always love drawing support beams as dinosaur bones, drawings Tanguy.
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